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Art Gallery and Global Art Hub Art World Exhibits Naini99

(L–R): Artists Amy Sherald, Yayoi Kusama and Georgia O'Keefe. Photo Courtesy: Amy Davis/Baltimore Lord's day/Tribune News Service/Getty Images; Toshifumi Kitamura/AFP/Getty Images; Tony Vaccaro/Getty Images

If you've ever taken an art history class or spent time in a fine arts museum, chances are y'all know a lot about the men who "defined" their mediums. Every bit with other subjects, most of what we learn about fine art history today still centers on white men from Europe and, later, the United states. In reality, there are so many more artists of all genders to learn from and appreciate.

Hither, nosotros're specifically taking a await at just some of the women who take had lasting impacts on their fine art forms. From some of the art world'south most iconic pioneers to its nigh unsung heroes, these women artists all had a paw — and, in some cases, however take a hand — in changing the globe of fine art and how we define it.

Laura Wheeler Waring

Laura Wheeler Waring'due south portraits Anna Washington Derry and Alice Dunbar Nelson. Photos Courtesy: National Portrait Gallery/Wikimedia Commons

Laura Wheeler Waring was an artist and educator who taught at Cheyney Academy in Pennsylvania for more thirty years. After studying the work of painters like Cézanne and Monet while abroad, she returned to the Us, becoming all-time known for her portraits of prominent Black Americans, many of which were painted during the Harlem Renaissance.

Cindy Sherman

Two photographs from Cindy Sherman's Untitled Film Stills (1977–80). series. Photos Courtesy: Museum of Modern Art (MoMA)

Lensman Cindy Sherman was part of the Pictures Generation during the 1980s, and is peradventure virtually well known for her series of Untitled Motion-picture show Stills (1977–80) — self-portraits in which Sherman "posed in the guises of various generic female film characters, amid them, ingénue, working girl, vamp, and lonely housewife" (via MoMA). In this series, and those that followed, Sherman used photography to question the media's influence over our individual and commonage identities.

Yoko Ono

A withal from the functioning Cut Piece, 1964, and a picture of the installation One-half-A-Room, 1967, every bit seen at the Museum of Modern Art in New York Urban center in 2015. Photos Courtesy: Museum of Mod Art (MoMA)

You lot might start call back of Yoko Ono as a musician and activist, just she's as well an accomplished performance and conceptual artist. Ono was considered a pioneer in the performance art movement, earning the nickname the "Loftier Priestess of the Happening".

I of her most revered works, Cutting Piece, was a performance she kickoff staged in Japan; Ono sat on phase in a prissy suit and placed scissors in front of her, and, in an act of daring vulnerability, invited audience members to come on stage and cutting abroad pieces of her clothing. "Fine art is like breathing for me," Ono has said. "If I don't do it, I start to choke."

Betye Saar

Betye Saar'southward Black Daughter's Window, 1969 (full and item). Photos Courtesy: Museum of Modern Art (MoMA)

Before condign a printmaker and activist, Betye Saar studied design and was employed as a social worker. A printmaking elective inverse her entire career trajectory — and, in turn, part of the trajectory of art history.

Saar was office of the Blackness Arts Move in the 1970s and, through painting and assemblage, critiqued institutionalized racism and the racist stereotypes white people held toward Black Americans. "To me the trick is to seduce the viewer," Saar has said. "If y'all can become the viewer to look at a work of fine art, and then you might be able to give them some sort of message."

Frida Kahlo

People wait at Frida Kahlo'due south 1939 painting Las Dos Fridas at the World Forum of Civilization in 2007, which was held in Mexico. Photo Courtesy: Alejandro Acosta/AFP/Getty Images

It's rare to find someone who hasn't at least heard of Frida Kahlo. A self-taught painter from United mexican states, she is best known for exploring themes like death and identity through her cocky-portraits. Kahlo often used bold, vivid colors to create her symbol-rich works, and was regarded as ane of the most influential artists of the Surrealist move.

Yayoi Kusama

A viewer photographs inside the Backwash of Obliteration of Eternity room during a preview of the Yayoi Kusama's Infinity Mirrors exhibit at the Hirshhorn Museum February 21, 2017 in Washington, D.C. Photo Courtesy: Brendan Smialowski/AFP/Getty Images

Yayoi Kusama started painting at a very young historic period, but she's also known for her hyper-real sculptures, polka dots, installations, and then much more. Like many of her peers, Kusama embraced the counterculture of the 1960s, employing nudity in much of her work. Today, she continues to create works for her enduring Mirror/Infinity rooms serial, which utilise mirrors and lit objects to create a sense of endlessness.

Amy Sherald

Erstwhile First Lady Michelle Obama (L) and creative person Amy Sherald (R) unveil Mrs. Obama'due south portrait at the Smithsonian's National Portrait Gallery in Washington, D.C. on February 12, 2018. Photo by Saul Loeb/AFP/Getty Images

Amy Sherald is an American painter and portraitist who depicts Blackness Americans, often doing everyday activities — something that became more common in portraiture writ large in the mid-19th century. Odds are that y'all recognize Sherald's work — and her signature grayscale skin tones — every bit she was the first Black woman to consummate a presidential portrait for the Smithsonian's National Portrait Gallery.

Georgia O'Keeffe

In 1960, Georgia O'Keeffe poses outdoors beside a work from her serial, Pelvis Series Ruby-red With Yellowish in Albuquerque, New Mexico. Photograph Courtesy: Tony Vaccaro/Getty Images

Known every bit the mother of American modernism, you likely associate Georgia O'Keeffe with her paintings of New Mexico's landscapes, flowers, skulls, and, just maybe, the skyscrapers of New York City. In the 1920s, she was the first woman painter to gain the respect of the New York art earth, all by painting in her unique style.

Adrian Piper

Adrian Piper wins the Gold King of beasts for best creative person in Okwui Enwezor'southward biennial exhibition All the World's Futures, part of the 56th Venice Biennale in 2015. Photo Courtesy: Awakening/Getty Images

Adrian Piper became a pioneering minimalist, feminist, and conceptual artist in 1970s New York Urban center. She used her work to question society, identity, and racial politics by demanding the audience to confront truths about themselves. She oft challenged people on the streets of New York to guess her race, socio-economic class, and gender — all while dressed as a Black human with a fake mustache and sunglasses, or while wearing compelling statements on her wearing apparel.

Shirin Neshat

Shirin Neshat's poses in front of a photograph in her exhibition Our Business firm Is on Fire at the Robert Rauschenberg Foundation in New York City in 2014. Photo Courtesy: Cem Ozdel/Anadolu Bureau/Getty Images

Shirin Neshat left Iran in 1974 to study art in Los Angeles, California — before the Islamic republic of iran Islamic Revolution took place. She is all-time known for her photography, film, and video work, much of which explores the human relationship between Islam'southward cultural and religious systems and women. Moreover, Neshat'southward works frequently create a sense of solidarity and empowerment.

Jenny Holzer

Jenny Holzer standing in front of her installation at the Guggenheim Museum. Photo Courtesy: Marianne Barcellona/Getty Images

As a neo-conceptual artist, Jenny Holzer's piece of work focuses on words and ideas, which she puts on advertising billboards, projects onto buildings and adds to electronic displays or neon signs.

These works display phrases that human action as meditations on various concepts, such equally trauma, knowledge, and hope. One of her more notable works, I Smell You On My Peel, makes the viewer question what kind of sentiment the sentence conveys.

Rebecca Belmore

Rebecca Belmore's Fringe, 2008. Photo Courtesy: Art Gallery of Ontario (Ago)

Much of Rebecca Belmore's fine art addresses identity and history — and, in particular, houselessness and the voicelessness of the First Nations People in Canada. As an Anishinaabekwe creative person, she works to enhance sensation around the prejudice, violence, and attempted erasure of Indigenous North American culture. In 2005, she was the first Indigenous woman to represent Canada at the Venice Biennale.

Louise Conservative

A person looks at Louise Conservative' Spider. Photograph Courtesy: Timothy A. Clary/AFP/Getty Images

While a prolific printmaker and painter, Louise Bourgeois is ameliorate known for her installation art and sculptures — similar the spider above — which were inspired by her own experiences and memories. Throughout her career, she created revolutionary works during a time when abstraction and conceptual fine art were the main styles shaping the fine art globe.

Mickalene Thomas

Mickalene Thomas' A Little Taste Exterior of Honey, 2007. Photograph Courtesy: Brooklyn Museum

Heavily influenced by pop civilization and popular fine art, Mickalene Thomas oftentimes embellishes her paintings with rhinestones and uses colorful acrylic paints. In her piece of work, Thomas centers Black American women, whom she believes embody power and femininity.

Judy Chicago

Judy Chicago's seminal work The Dinner Party. Photo Courtesy: Brooklyn Museum

Judy Chicago was 1 of the major figures within the early on Feminist Art motility. Equally exemplified in her iconic work The Dinner Party, her installation pieces frequently examine the role of women in history and civilisation — in the 1970s and before. While at California State University in Fresno, Chicago founded the beginning feminist art program in the United States.

Augusta Roughshod

Augusta Savage with one of her sculptures in the mid-1930s. Photo Courtesy: Andrew Herman/Archives of American Art/Wikimedia Commons

Augusta Savage was an American sculptor during the Harlem Renaissance who worked toward securing equal rights for Blackness Americans in the arts. In addition to creating breathtaking sculptures, often of Black folks, Cruel founded the Vicious Studio of Arts and Crafts in Harlem in 1932, and, a few years later on, she became the commencement Black American elected to the National Association of Women Painters and Sculptors in 1934.

Carolee Schneemann

Photograph Courtesy: Museum of Modern Art (MoMA)

Known for her provocative performance art practices, Carolee Schneemann is considered the progenitor of "torso art". (But await up her most famous work, Interior Coil, and y'all'll run into what we mean.) She used her torso to examine women's sensuality and liberation from the oppressive aesthetic and social conventions established by our patriarchal society.

Nan Goldin

Nan Goldin's Christmas on the Other Side, Boston, 1972. Photo Courtesy: Wikimedia Eatables

Famous for her in-the-moment photography, Nan Goldin'due south work challenges traditional power relations. In improver to documenting New York Urban center's queer subculture postal service-Stonewall, Goldin explored the HIV/AIDS crunch, opioid epidemic, and LGBTQ+ bodies.

Elaine Sturtevant

Warhol'south Marilyn Monroe (1967) by Elaine Sturtevant. Photograph Courtesy: Ben Stanstall/AFP/Getty Images

Does this await like an Andy Warhol to you? Well, that's the thought! Elaine Sturtevant, who went by her last name professionally, was a conceptual creative person known for her inexact replicas — that is, not-quite-right copies of big-proper name artists' work.

Some artists and critics encouraged her efforts, while others became quite angry. Nonetheless, Sturtevant used her works to explore the concepts of authorship, originality, and the structure of art culture.

Ruth Asawa

Various hanging sculptures past Ruth Asawa at the De Young Museum in San Francisco. Photo Courtesy: View Pictures/Universal Images Group/Getty Images

During the 1960s, Ruth Asawa created increasingly complex wire sculptures. A San Francisco-based artist, Asawa'south last public commission was the Garden of Remembrance at San Francisco State University, which was created to recognize Japanese Americans who were interned during World War Ii.

Catherine Opie

Catherine Opie attends the 2007 Guggenheim International Gala on November 8, 2007 in New York City. Photograph Courtesy: Shawn Ehlers/WireImage/Getty Images

Known for her studio, portrait, and landscape photography, Catherine Opie has been a lensman since the age of nine. She uses her photography to examine social norms, and, in doing so, displays various subcultures in formal portraits — but in a way that conveys power and respect by evoking traditional Renaissance portraiture.

micha cárdenas

All the same from Sin Sol (No Dominicus) VR game. Photo Courtesy: micha cárdenas/YouTube

micha cárdenas is an artist, author, theorist, and assistant professor who won an Impact Award at the Indiecade Festival in 2020 and the Artistic Laurels from the Gender Justice League in 2016. She believes teaching is the path to liberation and uses VR and fine art to address global bug such as racism, gendered violence, and climatic change.

Lee Krasner

Lee Krasner: Living Color exhibition at Barbican Art Gallery on May 29, 2019 in London, England. Photo Courtesy: Tristan Fewings/Getty Images for Barbican Fine art Gallery

Lee Krasner was an Abstruse Expressionist painter who besides specialized in collaging. Her works capture a spirit of relentless reinvention, from her Cubist drawings and assemblage to her portraits and murals for the Works Progress Assistants (WPA).

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